Review: David Matthews: Symphony No 9, Double Concerto (English Symphony Orchestra/Woods)
Matthews’ latest proves they do write music like that nowadays.
Matthews’ latest proves they do write music like that nowadays.
Fine Finnish fare: Oramo’s Sibelius is laced with insights.
Harteros heads a Tosca that perhaps should have offended more.
Russian soprano displays her Mozart credentials and more.
Flórez helps explore Hofesh Shechter’s seven stages of grief.
Heinichen’s forgotten Roman blockbuster is a heady brew.
Angel takes wing as Donizetti’s lost opera is revisited at last.
Dove gets his due: Maximum colour and excitement from a post-minimalist.
Gardiner’s Easters in rural England here lovingly evoked.
New music for a new era from one of the UK’s finest choirs.
Musical worlds collide fruitfully in Iestyn Davies’ latest recital.
Late Telemann showcases rebuilt Baroque splendour.
Head and heart: Goerne and Andsnes mix drama and poetry.