Review: Wagner: Parsifal (Orchestra e Coro del Teatro Massimo, Omer Meir Wellber)
Vick and Wellber’s anti-Parsifal has much to say that needs saying.
Vick and Wellber’s anti-Parsifal has much to say that needs saying.
Swiss twist to how a forgotten Englishwoman emerged from the shadows.
A labour of love from a colourful composer.
Neuwirth bends more than just gender in her bold new Woolf work.
A colossus of the piano returns with magical music making.
Two tenors triumph in kaleidoscopic program of Baroque vocal music.
Aristocratic by birth, noble by nature and cruelly cut off in her prime.
Opera’s most dysfunctional of families gets searing staging and stellar vocals.
Marvellous performances as part of a curious concept.
South African soprano’s debut disc proves as good as gold.
Debut release for Cawrse a long time coming but well worth the wait.
Valuable re-issues of Maxwell Davies at his most iconic and provocative.
Osborne wrestles Rachmaninov’s sprawling Faustian sonata into submission.