Review: When Do We Dance? (Lise de la Salle)
French piano star offers a widely travelled invitation to the dance.
French piano star offers a widely travelled invitation to the dance.
Savall’s distinctive approach to Victoria’s Holy Week music brings fresh insights.
Charm meets passion in visually sumptuous staging of Gounod’s greatest non-hit.
A masterclass of pianistic maturity and restraint, perfumed with the scent of a bygone era.
A good performance if low on imaginative invention.
Thoughtful take on Sophocles’ bloody tragedy boasts at least two star turns.
Fabulous piano works by female composers, impeccably selected and performed.
Another rich selection of Purcell’s stylish music stylishly performed.
Post-revolutionary rescue opera at its most entertaining.
Rachvelishvili offers a mixed bag of mixed delights.
Emily Sun shines in French repertoire for violin and piano.
Modern Icelandic works rub shoulders spectacularly with rearranged classics.
A new Fidelio in conversation with the greats.