Review: The Freischütz Project (Insula Orchestra, Laurence Equilbey)
Punchy, period approach works wonders, but what’s with the highlights?
Punchy, period approach works wonders, but what’s with the highlights?
Schulhoff’s Don Giovanni combines late-Romantic lushness with le jazz hot.
Lise Davidsen's sophomore album is first class.
A forgotten Russian-Jewish voice receives ardent championing from Jonathan Powell.
Glimpses of what might have been from a forgotten genius.
Nadejda Vlaeva stakes a persuasive claim for an overlooked Bulgarian compatriot.
Mozart fragments get a dazzling finish in world premiere recordings.
Second album from Australian space-obsessed quartet shows promise.
Aimez-vous unnecessary fiddling with Brahms?
A pronounced “ari-o-sa” in airy reading of Biber’s trio sonatas.
Debut recording is the cap on this soprano's astonishing few years.
More revelations, both laughing and lurid, from Vaughan Williams.
Fiddling while the heart burns: Janusz Wawrowski serves up sour-sweet treats