Review: Where Song Began (Simone Slattery, Anthony Albrecht)
At last, here's a CD that certainly is for the birds.
March 5, 2020
Review: Beethoven: Complete String Quartets (Miró Quartet)
Texans bring fresh ideas to chamber music’s mighty 16.
March 5, 2020
Review: My Time Is Now (Haerim Elizabeth Lee, Alex Brown)
To paraphrase Gertrude Stein: Heifetz is Heifetz is Heifetz.
March 5, 2020
Review: Bartók • Korngold: Piano Quintets (Piers Lane, Goldner String Quartet)
Two (near) contemporaries make surprising bedfellows.
March 5, 2020
Review: Mozart & Beethoven: Violin Sonatas (Richard Tognetti & Erin Helyard)
HIPster Mozart and Beethoven at its finest.
March 5, 2020
Review: Dora Bright & Ruth Gipps: Piano Concertos (Ward, McLachlan, Royal Liverpool PO/Peebles)
Neglected English composers receive much-needed world premieres.
March 4, 2020
Review: Villa-Lobos: Concerto for Guitar & Harmonica (Barrueco, Staneck, São Paulo SO/Guerrero)
Seems Brazil has produced more than just soccer superstars.
March 4, 2020
Review: Czerny (Rosemary Tuck, English Chamber Orchestra/Bonynge)
Tuck and Bonynge’s intriguing Czerny series marches on.
March 4, 2020
Review: Beethoven: Symphony No 9 (Wiener Symphoniker/Jordan)
Philippe Jordan’s Choral: trim, taut but not entirely terrific.
March 4, 2020
Review: Saint-Saëns: Symphonies Volume 3 (Utah Symphony/Thierry Fischer)
Fischer completes his symphonic survey with a touch of carnival.
March 4, 2020
Review: Ginastera: Harp Concerto, Variaciones Concertantes (Sidsel Walstad, Norwegian Radio Orchestra/Harth-Bedoya)
Norwegian band heads south for a pair of hot Latin discoveries.
March 4, 2020
Review: Prokofiev: Lieutenant Kijé, Alexander Nevsky (Utah Symphony Orchestra/Fischer)
Utah forces excel in both national epic and Czarist bureaucracy.
March 4, 2020
Review: Ives: Symphonies Nos 3 & 4 (San Francisco Symphony & Chorus/Michael Tilson Thomas)
Charles Ives with Hymns Ancient and Very Modern.
March 2, 2020