The Bayreuth Baroque Opera Festival stages an unforgettable performance by a group of prodigiously talented individuals, acting as one in the cause of a once-celebrated composer’s comeback.
Ahead of his debut with the Sydney Symphony Orchestra, the brilliant violinist discusses the greatness of Brahms’ work, Joseph Joachim’s influence on it, and working with Donald Runnicles again.
Cameron Lam explores choirs new and old, and the music written for them, in this month's Australian Art Music playlist.
Ensemble Offspring's micro-festival Listen Up! features the Australian Art Orchestra, Allara and Eric Avery in a program of electrifying new music by living composers.
As the Jobs and Skills Summit gets underway today, Adrian Collette, CEO of the Australia Council, discusses how the arts contribute to economic growth and recovery.
Fresh from performing at the Edinburgh Festival and BBC Proms, the Australian World Orchestra has arrived in Australia. Lily Bryant attends rehearsals and talks with some of the musicians.
Australian composer Andrée Greenwell pays tribute to poet Jordie Albiston, whose words she set to music.
Packing a picnic hamper and joining opera lovers in black-tie on the train to see Alcina is an integral part of this year's Glyndebourne experience.
As she was about to perform in Lorraine Hansberry's landmark play A Raisin in the Sun, the American actor discovered a program from the 1959 Broadway production in a box of her father's things.
Lynden Barber surveys the rise and rise of women on streaming TV.
The Philadelphia Orchestra Music Director discusses Limelight's game-changing Recording of the Year.
Log in to read the PDF version of Limelight's September 2022 magazine.
Orchestras need to get with the times if they are to attract a younger, broader demographic. We look at the challenges they face and some of the initiatives that are bearing fruit.
