Cutting Edge: Sacred Medicine
First Nations musician Eric Avery is creating a new work with Melbourne’s Flinders Quartet. He tells us why he has asked the four string players to use stringybark as part of the performance.
First Nations musician Eric Avery is creating a new work with Melbourne’s Flinders Quartet. He tells us why he has asked the four string players to use stringybark as part of the performance.
The ABC news presenter explains how music helps him disconnect from the daily news cycle, and why a playlist is one of the great joys of life.
This month features new music from Huw Watkins and Bernadette Harvey, old music by Dowland and Zelenka and blockbusters care of Alkan, Bizet and Lise Davidsen.
Melody Eötvös's new piano trio, commissioned by Musica Viva Australia, is a meditation on rulership inspired by her love of trees.
The Artistic Director of Victorian Opera tells us about his passion for G&S and the musical celebration he is directing for Opera Australia.
Australian-born, Copenhagen-based saxophonist and composer Calum Builder explains how he created his extraordinary, dismantled organ, using pipes salvaged from churches across Northern Denmark.
A round-up of our recent news reports.
The latest arts appointments and departures.
This month’s performance highlights from ABC Classic, independent radio and streaming.
Hamed Sadeghi brings musical traditions into a timely conversation. "Maybe we can focus on what we share instead of what divides us."
As 2026 Composer in Residence at the Canberra International Music Festival, Fiona Hill presents a body of work in which collaboration is more worldview than method.
Joe Chindamo’s new concerto for the Adelaide Symphony Orchestra puts the pedal to the metal with drifter (and clarinettist) Dean Newcomb.
Playing the tragic heroine of Verdi's La traviata is one of opera’s most difficult balancing acts but Stacey Alleaume relishes the challenge.