Thunderstruck! When rock and classical collide
Buckle up and turn everything up to 11 for Limelight’s picks of the best (or sometimes just the bravest) rock-meets-classical experiences.
Buckle up and turn everything up to 11 for Limelight’s picks of the best (or sometimes just the bravest) rock-meets-classical experiences.
Australian World Orchestra Assistant Conductor Louis Sharpe talks music, leadership and a job that doesn't feel like one.
Cameron Lam recaps new releases from the second half of 2023 across Classical, Jazz and Sound Art in this month’s playlist.
The 2MBS Young Virtuoso Award winner Teresa Yang talks Korngold's Violin Concerto, her musical milestones, and her ambitions for the future.
With two world premieres in the pipeline – including one by Carl Vine – Nexas Quartet's Michael Duke sees the limited classical sax repertoire as an opportunity.
Celebrating 20 years as a conductor of the Melbourne Symphony Orchestra this year, Benjamin Northey shares some thoughts on work, life and music.
Canberra vocal sextet Luminescence is taking its music to places that have been, until recently, far off the beaten track.
Composer Dave Crowe talks about his new work for Alice Springs World Chamber Orchestra, which translates local crime stats into music.
Violist and curator-turned-creator Katie Yap takes you behind the making of her Freedman Fellowship Project - multitudes.
We share the full transcript of Elena Kats-Chernin's address, in which she outlines her life in music.
A new study shows Australian opera has a legacy of gender inequality. So what’s next? We talk to Opera Australia's Jo Davies and Lindy Hume.
We trace Handel’s journey to London and talk with Erin Helyard of Pinchgut Opera, which is about to stage its first Handel opera – Rinaldo.
Since the first BRAVO Cruise, Guy Noble has played conductor and host. Preparing to set sail again in 2024, he remembers past highlights.