Five Questions for Rebecca Chan
Since 2017, the Melbourne-born violinist has been based in London. She discusses returning home to play with the Australian World Orchestra.
Since 2017, the Melbourne-born violinist has been based in London. She discusses returning home to play with the Australian World Orchestra.
Anthony LaPaglia will make his Australian stage debut in Death of a Salesman. He explains why he decided to take on the role.
Conductor Rick Prakhoff and violist George Deutsch reveal ambitious plan for the Zelman Memorial Symphony Orchestra’s 90th birthday.
Justin Williams discusses his First Symphony, which the Queensland Symphony Orchestra will debut alongside Mahler’s Symphony No. 6.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The latest arts appointments and departures.
Handel’s tree-hugging despot enjoys a lively new outing, the Philly aces Rachmaninov, Christian Li explores Mendelssohn, and Offenbach’s Peruvian soufflé fizzes with fun.
Sound artist Daniel Portelli explains how an art music/video essay about our relationship with mangroves is a form of forest therapy.
A round-up of our recent news reports.
Fed up with being bombarded with requests for feedback about everything from online purchases to hotel visits, Guy Noble ponders sending reverse feedback.
This month’s concert highlights from ABC Classic, independent radio and streaming.
Gian Slater writes about her upcoming work for Progress Festival, which feels nostalgia hit like a huge wave.
The Orpheus and Eurydice story has fascinated opera-makers for centuries. Now, three of the greatest versions of the tale are about to collide.