Alarm bells are ringing as news of a national shortage of bellringers spreads ahead of King Charles's coronation.

For its second year of touring, Music in the Regions collaborates with the Inventi Ensemble to connect with regional communities.

Composer Cat Hope reflects on the German premiere of her wordless opera Speechless and what it means in today's troubled Europe.

"For me this is totally, totally unbelievable.” Shanul Sharma sings the role of a personal hero in Philip Glass’s minimalist masterpiece Satyagraha.

This year’s ANAM Quartetthaus season brings Australian and UK string quartets into extreme close-up for a listening experience unlike any other.

Musica Viva Australia’s latest tour features an unusual blend of instruments. Annaleen Lenaerts, Principal Harpist of the Vienna Philharmonic, offers an insight into the role of her instrument.

The composer describes the beautiful relationships behind the commissioning of his new work that draws upon the sense of awe at natural beauty.

Musical Director Zara Stanton on her role in turning a silent movie landmark into the Hayes Theatre's latest show.

It’s not unusual for musicians to disregard much-discussed Beethoven's tempo markings and set their own pace. A new recording project sets a new low.

Ahead of its premiere with the Canberra Symphony Orchestra, the composer discusses her new work, Kinds of Blue, and the inspiration that helped shade it.

Log in to read the PDF version of Limelight's May 2023 magazine.

As the Australian Chamber Orchestra prepares to explore it, we examine the groundbreaking music of Wendy Carlos and her trailblazing career.