The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Barry Humphries enriched the culture, reimagined the one man show and upended the cultural cringe.

Without the First Folio, we wouldn't have Shakespeare as we know him, Freud's Oedipus complex and Marx's Theory of Capitalism.

Written when Shakespeare was on a roll, As You Like It is the play that keeps on giving. And director Damien Ryan should know.

The violist talks about the world premiere of his new work for Blackheath Chamber Music Festival and his first steps in writing for the voice.

Salut! Baroque's Sally Melhuish explains how competition and rivalry became a catalyst for creativity in English music.

An ambitious work new for orchestra, massed choirs and a single actor, Tides of Longing explores the refugee experience in a new way.

Leah Broad's new book titled Quartet boldly claims that four women changed the musical world. But did they?

A wide-ranging program perfectly in tune with its gorgeous natural surroundings made for a breathtaking Festival that even won over the weather.

Cameron Lam goes big and bold in this month's Australian Art Music playlist, exploring major works for wind symphony, orchestra, big band, and the stage.

Driftwood, the feel-good Australian musical with a profound message, is revived and touring. Next stop New York City?

London-based Australian soprano Helena Dix talks about overcoming her fears and sitting for a portrait entered into this year's Archibald Prize.