Relaxed, relevant and flexible. Classical music programming needs to move with the times, says conductor Vladimir Fanshil.

Making its debut during WorldPride 2023, CAMP bends time, fact and fiction into a celebration of the activists behind the push for gay rights in the 1970s.

"It is what I burn for, it is what I breathe." A new documentary, Knowing the Score, brings the audience up to date with conductor Simone Young.

Cameron Lam continues his instrument-focused series in this month’s Aussie Art Music playlist, with a spotlight on the piano.

Todd Field’s TÁR shines an uncomfortable light on some of the social and political dynamics of the world in which it is set, argues Peter Tregear.

Time and tides are explored and celebrated in SIMA's adventurous Jazz: NOW summer festival.

Solitude and sacrifice. Ahead of his Melbourne and Sydney appearances, tenor Michael Fabiano reveals what it takes to bring a character to life.

Eri Hotta's new book about Shinichi Suzuki and his approach to early childhood musical education is about to hit bookstores. Read an extract here.

As The Hours arrives in cinemas, its co-star Renée Fleming speaks to Limelight about the making of the opera and why it is "crucial" to stage new work.

Europa! Europa returns to Australia for its second year with a festival of 29 films from 24 countries.

The whole world is talking about TÁR. It’s time for Australian orchestras to join the conversation on gender, the canon and conducting.

Conductor Natalie Murray Beale talks to Limelight about teaching Cate Blanchett to wield the baton in TÁR and the film's potential to provoke.