Guy Noble’s Soapbox: A sparkling whine
Why do post-concert celebrations so often revolve around alcohol? asks Guy Noble, who is thinking of trading a glass of bubbly for an iced doughnut.
Why do post-concert celebrations so often revolve around alcohol? asks Guy Noble, who is thinking of trading a glass of bubbly for an iced doughnut.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Katie Yap, the 2022 Freedman Classical Fellow, tells us about the project she is undertaking as a result of her win.
A round-up of our recent news reports.
The Artistic Director of The Little Red Company unwraps Christmas Actually, created with her company co-founder Adam Brunes.
This month’s performance highlights from ABC Classic, independent radio and streaming.
The latest arts appointments and departures.
The great Australian pianist on returning to his Chatswood roots and a lifetime of experience.
Hugh Robertson, the Orchestra’s Editorial Manager and former Limelight Deputy Editor, reveals what he is most looking forward to next year.
Julian Day reports on the longest, and probably the loudest, noise set they have ever heard by experimental musician Marco Fusinato, who is representing Australia at the Venice Biennale.
Composers Matthew Hindson and Novak Manojlovic discuss how growing up in Wollongong has shaped their music, and describe their new works, commissioned for WollCon's anniversary.
Cameron Lam explores the latest online releases and re-releases in this month's Australian Art Music playlist.
In an interview with Limelight, the Met's General Manager Peter Gelb discussed soprano Anna Netrebko and why she and the Met have parted ways. Netrebko's General Manager responds here to certain statements in the article.