Wodunnit fans have a double dose of murder mysteries to indulge in. Robyn Nevin discusses the fun and challenge of directing The Mousetrap, while See How They Run hits our cinema screens.

Joseph Tawadros writes about his new album, on which he plays with William Barton; a unique recording that explores the wonderful array of diverse voices within Australia.

The Canberra-based artist and musician's new sound sculpture draws on his own diagnosis to fight for Australians affected by cancer and immunodeficiency.

Ahead of their 10th Australian tour, the Tallis Scholars founder illuminates the murky world of Renaissance art and politics.

Following masterclasses at an intensive five-day music camp, the students of the Western Sydney Philharmonic presented their first orchestral concert, performing alongside their professional teachers.

Artistic Director, Australian-Swiss flautist Bridget Bolliger, discusses the program for this year's Sydney Chamber Music Festival after two years of uncertainty.

Musicians often find Symonds' music technically difficult to play, but from the first rehearsal, he saw that the ASQ had taken his score "by the scruff of the neck" and that he had no need to worry.

Bertrand Chamayou talks to Clive Paget about a nine-year-old’s encounter with modern music and how to make bells sound like bells.

Lynden Barber celebrates a film about a child made for adults, and a new BBC series starring Nicola Walker and Sean Bean.

Musical theatre star Michael Ball discusses performing in Do You Hear the People Sing?, his new album with Alfie Boe, and his debut novel.

The hilarious new video game Trombone Champ will have you sliding from Mozart to merengue.

25 years ago, Dean Bryant picked up a copy of Larry Kramer's play The Normal Heart, about the AIDS crisis. He has longed to direct a production ever since. Finally, it's happening in Adelaide. He tells us what the play means to him.