Review: Lèo Delibes: Jean de Nivelle (Hungarian National Philharmonic Orchestra and Choir, György Vashegyi )
Never mind the plot, listen to the music.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Never mind the plot, listen to the music.
The Scottish mezzo and her musical partner, Hamish Brown, discuss their debut disc.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A seafaring debut from Beth Taylor, piano albums from Mitsuko Uchida and András Schiff, opera from Verdi and Handel and a Kurt Weill blockbuster.
Weill’s melting-pot masterpiece soars in Opera North’s live recording.
Whately embodies the master’s voice and the women he inspired.
Bicket delivers a first-night Cesare that Handel would have recognised.
The Australian baritone explains what listeners can expect of his Schwanengesang with Erin Helyard.
Ahead of his Australian tour, British pianist Paul Lewis chats about Beethoven, Mozart and why he feels no need for a holiday.
Steven Isserlis has had this 1762 Stradivari cello on loan since 2009. He tells Clive Paget why his life would lose all meaning if he had to return it.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
This month features David Greco and Erin Helyard’s latest Schubertiad, orchestral works by de Falla, McCabe and a whole host of Ukrainians, and a look at Handel’s Italians in London.
Hindoyan and his Liverpudlian forces finesse Falla.