Beats and Bites
Musicians seem to adore Jaime Martín, as do audiences. We talk to the irrepressible Chief Conductor of the Melbourne Symphony Orchestra.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Musicians seem to adore Jaime Martín, as do audiences. We talk to the irrepressible Chief Conductor of the Melbourne Symphony Orchestra.
Jeneba Kanneh-Mason chats about her new album, Jane Austen’s Piano.
This month features a new deal for Vasily Petrenko, blockbusters from John Wilson and Fabio Luisi, Víkingur Ólafsson’s latest piano odyssey and beguiling songs by Rebecca Clarke.
Petrenko’s dynamism gets new partnership off to a flying start
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Dutch trio goes Hungarian to celebrate the work of three friends.
The British conductor proves the perfect guide to The Dream of Gerontius.
Among the ranks of the forgotten, a genuine find, splendidly presented.
Clarke’s full Monty proves an eclectic revelation.
This month, instead of his usual On the Record column, Clive Paget recommends some recent Christmas albums, leading to his festive top three.
Amid fierce competition, a relative rarity has carried off the top prize.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Kaufmann’s Doppelgänger is a double album to treasure.