Review: Nice Work If You Can Get It (Michelle Guthrie Presents & Hayes Theatre Co)
Prohibition-era shenanigans, set to Gershwin songs, get an outrageously entertaining treatment from a crack cast.
Prohibition-era shenanigans, set to Gershwin songs, get an outrageously entertaining treatment from a crack cast.
Although spectacular and filled with the amusing antics of its characters, this staging of Shakespeare's final play cannot overcome the inherent shortcomings of its writing.
This bliss bomb of feel-good fun, fantasy and flair is the best disco in town.
The Song Company delivers superb performances all round in this expert interpretation of Renaissance polyphony and related modern works.
This heartwarming adaptation makes its Australian debut with David Wenham as Scrooge.
This new production set in Perth, with choreography by Krzysztof Pastor and vital input from Barry McGuire and other Noongar artists, has been triumphantly realised.
QSO Principal Double Bassist Phoebe Russell proved mighty indeed as the soloist in Paul Dean’s sparkling new Concerto for Double Bass and Orchestra.
The British actor’s anecdotes about his life and career, love and loss, make for a delightful evening of theatre.
A high-adrenaline drama from a unique perspective, portraying the daily lives of Australian soldiers in 2011 Afghanistan.
You might think that the Albanese government would offer less meat for the Wharf Revue team to sink its teeth into, but this latest iteration is among its sharpest and funniest.
This play about two actors at opposite ends of their careers is a persuasive peek behind the scenes.
Featuring some of Australia’s finest pianists in a visually immersive performance space, this four-day festival is piano heaven.
This 50-minute exploration of self-identity and expression by Larissa McGowan pushes back against societal conventions surrounding ageing female artists.