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Theatre
Live Review

Review: Nice Work If You Can Get It (Michelle Guthrie Presents & Hayes Theatre Co)

Prohibition-era shenanigans, set to Gershwin songs, get an outrageously entertaining treatment from a crack cast.

November 24, 2022
Theatre
Live Review

Review: The Tempest (Sydney Theatre Company)

Although spectacular and filled with the amusing antics of its characters, this staging of Shakespeare's final play cannot overcome the inherent shortcomings of its writing.

November 23, 2022
Theatre
Live Review

Review: Velvet Rewired (Organised Pandemonium)

This bliss bomb of feel-good fun, fantasy and flair is the best disco in town.

November 22, 2022
Classical Music, Vocal & Choral
Live Review

Review: Fullness of Joy (The Song Company)

The Song Company delivers superb performances all round in this expert interpretation of Renaissance polyphony and related modern works.

November 21, 2022
Theatre
Live Review

Review: A Christmas Carol (Old Vic/GWB Entertainment)

This heartwarming adaptation makes its Australian debut with David Wenham as Scrooge.

November 21, 2022
Dance
Live Review

Review: Swan Lake (West Australian Ballet)

This new production set in Perth, with choreography by Krzysztof Pastor and vital input from Barry McGuire and other Noongar artists, has been triumphantly realised.

November 21, 2022
Classical Music, Orchestral
Live Review

Review: Mighty Rachmaninov (Queensland Symphony Orchestra)

QSO Principal Double Bassist Phoebe Russell proved mighty indeed as the soloist in Paul Dean’s sparkling new Concerto for Double Bass and Orchestra.

November 21, 2022
Theatre
Live Review

Review: An Evening With Richard E Grant (FANE & Andrew Kay)

The British actor’s anecdotes about his life and career, love and loss, make for a delightful evening of theatre.

November 20, 2022
Theatre
Live Review

Review: First Casualty (Queensland Theatre)

A high-adrenaline drama from a unique perspective, portraying the daily lives of Australian soldiers in 2011 Afghanistan.

November 18, 2022
Theatre
Live Review

Review: The Wharf Revue: Looking for Albanese (Soft Tread)

You might think that the Albanese government would offer less meat for the Wharf Revue team to sink its teeth into, but this latest iteration is among its sharpest and funniest.

November 18, 2022
Theatre
Live Review

Review: The Mentor (Theatre Works/Bravo Arts)

This play about two actors at opposite ends of their careers is a persuasive peek behind the scenes.

November 18, 2022
Audiovisual, Classical Music, Festivals, Instrumental, Jazz
Live Review

Review: PianoLab (Recitals Australia and Light ADL)

Featuring some of Australia’s finest pianists in a visually immersive performance space, this four-day festival is piano heaven.

November 18, 2022
Dance
Live Review

Review: Cher (Insite Arts, MELT Festival)

This 50-minute exploration of self-identity and expression by Larissa McGowan pushes back against societal conventions surrounding ageing female artists.

November 18, 2022

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