Backstage Music spotlights the works of artists with disability in a program rich with unique practices and fascinating considerations.

After a decade, Queensland Ballet’s joyful, annual production still has plenty left to give to audiences of all ages.

This thoughtful recital was an ideal showcase for a very fine trio and a new, rather unique, highly atmospheric concert space for Adelaide.

Joel Bray opens his arms to the community and invites the audience to take part in an enlivening experience that celebrates our earth, our First Peoples and everyone else in the freest way imaginable.

An imperfect but still powerful production of an Ibsen rarity.

Conductor Laureate Sir Andrew Davis proved a saviour at times as the MSO played with its talented Young Artist in Association, 14-year-old Christian Li, while Brahms' Symphony No 4 received an impressive performance.

Asher Fisch and his forces awake this behemoth with sensitivity and abandonment, portraying the epic life-and-death struggle as conflict, but also as progress and reconciliation.

This production of Charpentier’s Baroque opera is a marvel, thanks to meticulous research, top-notch performances and ingenious interpretation.

This Australian comedy about real estate and family falls flat after a promising start.

With its large cast, who are always on the move, this patchy production doesn't entirely lend itself to a filmed version with close-ups, as we miss some of the shenanigans.

Sydney Dance Company’s ninth annual season of new contemporary dance works is one of the most satisfying yet.

This exuberant, lo-fi production, adapted for the stage by Hilary Bell, with her father John Bell as Scrooge, is a delight.