QSO Principal Double Bassist Phoebe Russell proved mighty indeed as the soloist in Paul Dean’s sparkling new Concerto for Double Bass and Orchestra.

The British actor’s anecdotes about his life and career, love and loss, make for a delightful evening of theatre.

A high-adrenaline drama from a unique perspective, portraying the daily lives of Australian soldiers in 2011 Afghanistan.

You might think that the Albanese government would offer less meat for the Wharf Revue team to sink its teeth into, but this latest iteration is among its sharpest and funniest.

This play about two actors at opposite ends of their careers is a persuasive peek behind the scenes.

Featuring some of Australia’s finest pianists in a visually immersive performance space, this four-day festival is piano heaven.

This 50-minute exploration of self-identity and expression by Larissa McGowan pushes back against societal conventions surrounding ageing female artists.

This new play by S. Shakthidharan and Eamon Flack is a soaring achievement, carried by an extraordinary international ensemble. There are joyous moments, but prepare to sob.

Tim Rice and Andrew Lloyd Webber’s musical is showing its age, despite a zingy new production and great performances by Euan Fistrovic Doidge, Paulini and a talented children's ensemble.

Madeleine Easton’s recreation of Monteverdi’s thanksgiving for the end of the plague hits home with Sydney audiences.

Christopher Bowen’s new choral work, based on former Prime Minister Keating's Redfern speech, expresses our determination to reconcile, atone and work to a shared future with First Nations people.

Closing its season, ACO explores the music of the New World from divine Dvořák, Feldman, Price and Walker to Bryce Dessner, John Adams and a world premiere by his son Samuel.