Review: Light of Joy (HIP Company)
HIP Company starts its 2026 season with another example of its imaginative and carefully considered programming.
HIP Company starts its 2026 season with another example of its imaginative and carefully considered programming.
Built around a brilliant staging of Stravinsky’s ‘Soldier’s Tale’, this curatorial masterclass explores the art of innovation itself.
With a fine cast and design that’s a triumph of simplicity, this new play reminds Melbourne of the tragedy behind its largest and busiest bridge.
Shechter is a festival favourite in Australia but this time around, he disappoints.
Percussion maestro Timothy Constable escorts us on a joyride through a year that changed everything.
Eivind Aadland and the TSO fly high with an airing of composer Harry Sdraulig's reimagining of the ancient Greek myth.
OCMF strikes gold on its opening night with Lior, Nomad String Quartet and a diverse program spanning classical to contemporary.
The SSO and Sydney Philharmonia Choirs direct their combined sonic force toward an underexplored genre of music.
A stylish, fast-moving Julius Caesar that blinks at the assassination but nails the play’s ethical dilemmas.
Duncan Macmillan's early-career drama is still timely with its central question: what do we do with our lost boys?
Emotion, movement and design brought into beautiful balance for a timeless tale of love, power and justice.
Beginning with Krylov alone on a balcony, this is a spellbinding performance throughout.
Fair Play moves fast, hits hard and asks uncomfortable questions about who gets to compete – and on what terms.