Directed by Alexander Berlage, Nico Muhly and Laura Lethlean’s brand-new opera is a mini masterpiece that looks as captivating as it sounds.

The ‘Lang Lang effect’ is still potent and very much in evidence in this finely judged and thrilling performance.

The Brandies’ top-notch core players are unleashed in a clutch of concertos.

Unlike Madame Curie’s X-rays, Lauren Gunderson's two-handed drama doesn’t penetrate quite deep enough.

A charismatic performance from Judy Davis fires up a play that is both touching and full of rage.

What started as a novelty act as evolved into a highly sophisticated, analytical, one-woman marathon tour de force.

Runnicles’ round trip starts with a four-minute smile, takes us back to childhood and ends in a heroic struggle.

Fox is no longer the boy wonder but we can still marvel at his flying feet and showbiz stamina as he approaches middle age.

Three French works – only one familiar – in a relaxed but highly energised chamber concert.

Guest violinist Johan Dalene's tempestuous virtuosity on thrilling display alongside Jennifer Marten-Smith's shimmering pianism.

Led by Sheridan Harbridge, this cabaret about the trailblazing Divinyls frontwoman is passionate and entertaining but still a work-in-progress.

She's no Barbra Streisand, no Cyd Charisse, but Carlotta has few peers when it comes to connecting with an audience.