Review: The Loves of Apollo & Dafne (Pinchgut Opera)
Mitchell Butel’s witty direction gives early Cavalli an enticing 21st-century makeover.
Mitchell Butel’s witty direction gives early Cavalli an enticing 21st-century makeover.
Operatic treatment enhances Mendelssohn's oratorio despite a smudgy accoustic.
The little company that could makes an impressive contribution to Melbourne’s merry month of Verdi.
Two Minutes from Home offers up a fascinating musical anthology of 2020 as experienced by Decibel's creative community.
Energy, imagination, humour, talent – just a few of this collective’s nouns.
Director and choreographer Matthew Barclay’s Carmen is a handsome looking production that more than satisfies the demands of a travelling outfit on its way to in excess of 30 cities
David Ireland's snappy satire will be an electrifying experience for any theatregoer.
Hamed Sadeghi and the Eishan Ensemble offer up a rich and compelling brew of ideas and sounds.
An impressive adaptation, but Taming of the Shrew leaves its promise to “rescue this classic love story from the clutches of controversy” unfulfilled.
The Sydney Symphony Orchestra shops local and finds success.
This staging of Giselle by Aurélien Scannella and Sandy Delasalle hits new heights.
A splendid concert from Jessica Cottis and the Canberra Symphony Orchestra.
Vivacious Vivaldi and vivid video launches ensemble’s movie website.