Juliet & Romeo suffers from a confused concept, and unfortunately even the choreography and dancing are brought down by shallow writing and music.

An inspired concert series showcasing the foundations of the Classical era of music

The Ninth Wave is innovative, vigorous and cleverly contrived, with visions that will haunt you.

Across two concerts, Valve and Go showed how much extraordinary life and colour there is in Beethoven's cello sonatas.

This momentous double bill was yet another must-see event in the opening weekend at the 2022 Adelaide Festival.

This memorable performance of Fauré's Requiem offered balm for the soul in these bleak times.

The program gave the combined orchestras of WASO and WAYO a unique opportunity to describe the sea in contemporary styles, as well as Britten's established depiction.

The MSO and its new Chief Conductor are still feeling each other out, but Jaime Martín's ebullient and dynamic presence can't be ignored.

Barrie Kosky’s stupendous onstage cavalcade (featuring performers from Russia and Ukraine) is a masterful meditation on the lunacy that drives civilisations to ruin.

The standing ovation and tears that greeted the world premiere of this oratorio about an infamous gay-hate crime are testimony for the need for such a work.

Music-making of a high order in a concert featuring Haydn, Mozart, Vanhal and Stefan Cassomenos.

This stage adaptation of Cassavetes' film is skilfully reimagined, but lacklustre performances counteract the building tension.