Review: Let’s Get Personal (Selby & Friends)
Despite some teething problems with the sound, this was an impressive concert with high quality playing and a fascinating pre-performance talk.
Despite some teething problems with the sound, this was an impressive concert with high quality playing and a fascinating pre-performance talk.
Outstanding performance from a truly scintillating trio.
A refreshing, stimulating program of 20th-century works for flute, oboe and piano.
Tonight's online premiere of four short operas by four Australian women composers is a major achievement for Australia's most inspirational modern opera company.
I bet a lot of other people were clapping enthusiastically in their lounge rooms, too, writes Clinton White.
Elyane Laussade, Nicholas Dinopoulos and Andrea Katz bring beautiful, intimate recitals to Melbourne Digital Concert Hall.
An appealing rather than a dazzling musical, though Kate Maree Hoolihan and Ian Stenlake shine as the lovers in a fluent production.
A fine performance of a rarely heard 20th-century masterpiece.
An uneven program of contemporary ballets from established and emerging choreographers.
Missy Mazzoli's opera, based on Lars von Trier's film, builds to a devastating finale.
Impressive singing, but the storytelling leaves something to be desired.
A privilege to be immersed so persuasively in Beethoven’s sound world.
Vivid musical storytelling from Alexander Shelley and the SSO.