Honouring its 40-year legacy with a phantastic new Phantom at the helm, this spectacular outdoor staging of Lloyd Webber’s megamusical is unmissable.

Anna Lapwood’s cinematic sweep marries the majestic grand organ with elite orchestra.

A brilliant adaptation turns Miles Franklin's classic into a world-class musical without compromising its feminist essence or Australian identity.

This production, staged in a large and wholly unsympathetic venue, struggles to find the play’s heartbeat.

Bette & Joan doesn't pierce the surface of its Hollywood star subjects but this production does polish it to a high sheen.

“Violinist’s violinist,” Ilya Gringolts shows Satanic majesty as he takes on the Devil.

Acacia’s sparkly French buffet takes the cake as an Orange Chamber Music Festival highlight.

Joe Chindamo's remarkable Requiem stands out among some heavy company.

An assured performance of Bach’s masterpiece in a beautiful but acoustically challenging venue.

A fascinating historical tale of escape and derring-do but this detailed retelling risks becoming as confusing as the final chapter of Mission: Impossible.

Anna Lapwood brings her brilliant skill and boundless effervescence to the Sydney Opera House Grand Organ.

Sydney Chamber Choir’s association with this work has always been strong. Under Sam Allchurch's direction, it grows even deeper.