Review: A Night in Paris II (Louise Blackwell)
Be transported back to the Left Bank and the smells of patisseries and resistance.
Be transported back to the Left Bank and the smells of patisseries and resistance.
Musically mind-blowing – a highly talented, intelligent collaborative period music ensemble.
Virtuosity and poetry from the young Russian in a truly memorable recital.
Intoxicating textures and colours combine in a feast of strange and vivid imagery.
A beautifully presented programme radiating professionalism and polish.
This beautifully conceived interactive installation is an act of remembrance and of gentle protest.
Eidinger’s pissing and puking monarch is the dark heart of Ostermeier’s Germanic staging.
The complexities of China and America explored with compelling energy and dramatic dexterity.
Dynamic world premiere is a close encounter that charms and disarms.
Kosky’s baroque extravaganza could power SA’s electricity grid for a month.
It tells an extraordinary story and is enjoyable on that level, but the play doesn't resonate as great drama.
Kate Mulvany juggles charming wit and cunning ruthlessness in a visceral performance as the “bunch-back'd” king.
Trifonov storms the heavens in an evening of young men's masterpieces.