The sense of freedom and enthusiasm projected by seven very fine instrumentalists proves infectious.

French chansons, jazz sophistication and a touch of Parisian romance to charm a Sunday afternoon audience.

Different flavours of Spanish guitar ably demonstrated by a first-time duet despite sound issues.

San Francisco's Dylan Adler turns personal trauma into a winning mix of songs, laughs and self-discovery.

Ivan Karizna’s magisterial performance of Shostakovich’s first cello concerto contrasts with an enchanting new work by Jakub Jankowski.

Reuben Kaye launches his directorship with a fleshy and high-energy celebration of cabaret's future.

Two contemporary dance productions remind us to position ourselves as part of, not separate to, nature. 

With composer-conductor Aaron Wyatt at the helm, the MSO presents an engaging program of works by First Nations composers.

This year's concert came complete with a star soloist in the form of Jenna Smith, a satisfying musical arc – and a touch of déjà vu.

The English tenor reveals his true colours and it’s a glorious palette to behold.

Set entirely within a locker room, this world premiere work is an impressive feat of independent theatre making.

From submerged meditations to turbulent storms, The Oracle is contemporary music at its most evocative.