Review: Rhapsody in Blue at 100 (Melbourne International Jazz Festival)
Japanese pianist Makoto Ozone's performance was transformative, bringing new vigour to George Gershwin’s classic.
Japanese pianist Makoto Ozone's performance was transformative, bringing new vigour to George Gershwin’s classic.
Tokyo’s favourite son brings the SSO's International Pianists in Recital series to a showstopping close.
Afghan rabat master Qais Essar takes a short and magical journey through the Hindu Kush.
Jazzmeia Horn has rewritten the rules on vocal technique. Her Melbourne International Jazz Festival set was nothing short of sensational.
Nobuyuki Tsujii’s fireworks and some very personal Elgar bring the crowded house down.
This acrobatic take on Gluck's opera may not be everyone’s cup of tea, but it’s full of spectacle and interest.
A glimmer of Gian Slater's new album and a world premiere commission for the maiden performance of one of Sydney's biggest jazz festivals.
The AWO and veteran star countertenor Andreas Scholl show that small is very beautiful.
This Australian premiere staging should tick all the boxes for Evan Hansen's antipodean fanbase.
Brisbane’s City Tabernacle Baptist Church proves an ideal venue for this one-off from the great German countertenor.
Nobuyuki Tsujii delivered a thrilling performance on the Brisbane leg of his Australian tour; his technique flawless, his note accuracy second to none.
This satirical political thriller by Van Badham offers a wild ride through the extremes of left and right ideologies.
Defying gravity: a humane, humorous celebration of diversity in its many – and occasionally whacky – manifestations.