Review: Icarus (Tasmanian Symphony Orchestra)
Eivind Aadland and the TSO fly high with an airing of composer Harry Sdraulig's reimagining of the ancient Greek myth.
Eivind Aadland and the TSO fly high with an airing of composer Harry Sdraulig's reimagining of the ancient Greek myth.
OCMF strikes gold on its opening night with Lior, Nomad String Quartet and a diverse program spanning classical to contemporary.
The SSO and Sydney Philharmonia Choirs direct their combined sonic force toward an underexplored genre of music.
A stylish, fast-moving Julius Caesar that blinks at the assassination but nails the play’s ethical dilemmas.
Duncan Macmillan's early-career drama is still timely with its central question: what do we do with our lost boys?
Emotion, movement and design brought into beautiful balance for a timeless tale of love, power and justice.
Beginning with Krylov alone on a balcony, this is a spellbinding performance throughout.
Fair Play moves fast, hits hard and asks uncomfortable questions about who gets to compete – and on what terms.
"Sisters are doing it for themselves" on International Women’s Day with Ensemble Q’s breathtaking performance of Fanny Mendelssohn’s String Quartet in E flat major.
Braving the heat, Andra Jackson tuned into the jazz component of the annual world music festival's 2026 program.
Australian Haydn Ensemble frames some picture-perfect quartets as old Colonials watch on.
SPC's 2026 gets off to a steamy, Glorious three-pronged start.
Pulsing with club beats, Peter Van Hoesen's electronic score rewires a Hollywood action classic.