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Classical Music
Live Review

Review: Simone Young Conducts Britten & Vaughan Williams (Sydney Symphony Orchestra)

Two English 20th-century masterpieces in dynamic performances.

March 9, 2026
Festivals, Theatre
Live Review

Review: Mary Said What She Said (Adelaide Festival)

Isabelle Huppert is a force of nature: rag doll, witch, madwoman and plotter.

March 9, 2026
Theatre
Live Review

Review: Year of the Rooster (Spinning Plates Co. & fortyfivedownstairs)

A cautionary for any maximalist theatre-maker: more is more, until it’s too much.

March 9, 2026
Jazz, World
Live Review

Review: Robert Fonseca – La Gran Diversión (Melbourne Recital Centre)

Roberto Fonseca swaps piano spotlight for bandleader swagger in a vibrant Cuban music spectacular.

March 7, 2026
Chamber, Classical Music
Live Review

Review: Swivel and Swerve (Ensemble Lumen)

An exhilarating ride through a variety of musical idioms culminating in Ravel’s wondrous Piano Trio in A minor.

March 7, 2026
Classical Music
Live Review

Review: Tchaikovsky’s Violin Concerto (West Australian Symphony Orchestra)

Ahead of appearances across Australia, Sergej Krylov blazes in his WASO debut.

March 6, 2026
Opera
Live Review

Review: Orfeo (Ensemble Pygmalion & Adelaide Festival)

A profound musical and dramatic experience, bringing the tragedy of Orpheus and Eurydice to electrifying life.

March 5, 2026
Chamber, Classical Music
Live Review

Review: Hush (Southern Cross Soloists)

An intimate experimental program, tucking the audience under a doona of restful music to soothe the soul.

March 4, 2026
Classical Music
Live Review

Review: Strauss & Mozart (Melbourne Symphony Orchestra)

An object lesson in the art of storytelling with Maestro Martín on flute.

March 4, 2026
Festivals, Musical Theatre & Cabaret
Live Review

Review: Serenade from the Sewer (The Tiger Lillies & Perth Festival)

In tub-thumping sideshow mode or when quietly melancholic, The Tiger Lillies' musical delivery is a cut above.

March 3, 2026
Musical Theatre & Cabaret, Theatre
Live Review

Review: Bernie Dieter’s Club Kabarett (Garden of Unearthly Delights, Adelaide)

Bernie Dieter's Weimar-inspired variety night leaves its audience not just entertained but galvanised.

March 3, 2026
Dance
Live Review

Review: Signature Works (The Australian Ballet)

A gala program avoids most of the usual suspects and introduces new faces.

March 3, 2026
Opera
Live Review

Review: Perle Noire: Meditations for Joséphine (Adelaide Festival)

Cabaret in format but operatic in scope, Julia Bullock’s gloriously terrifying “reincarnation” of Joséphine Baker will shake you to your core.

March 2, 2026

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