Review: Sunshine Coast Chamber Music Festival 2024
Theatre, drone improvisations and opera overlooking the beach. Like the Sunshine Coast itself, the SCCMF is all about variety.
Theatre, drone improvisations and opera overlooking the beach. Like the Sunshine Coast itself, the SCCMF is all about variety.
Kate Miller-Heidke's always surprising Catching Diamonds is a tonic in a music world that has become too predictable.
Minus some of the festival's marquee acts, this Gala was a showcase of hidden gems and next-generation stars.
An intriguing program, with a xylophone at the end.
Benjamin Millepied delivers a must-see neoclassical tour de force with exquisite dancing and clever camerawork that delivers a punch.
Joe White’s Blackout Songs is a compelling journey through addiction, love, and memory.
An intriguing, diverse and at times even courageous program from Melbourne Chamber Orchestra – with plenty of meat in the sandwich.
Last minute substitutions, lineup changes and a broken string but SXS triumphed over the odds.
The rise of the newspaper that gave you page three girls and FREDDIE STARR ATE MY HAMSTER!
If maximalist post-genre baroque is your thing, then Kym Alexandra Dillon's SPIRITS is a work for you.
The intimate and beautiful world of Remy Le Boeuf crowns a day of vibrant jazz from young and old.
At last, Melbourne gets a chance to see Belvoir's internationally acclaimed epic of Sri Lankan history and the lived experience of its refugees.
A thoughtfully crafted adaptation of Ibsen's classic drama gives the story an injection of dark humour and a 19th century Australian setting.