• Sign Up
  • Log In
  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Decoding Cultural Leadership podcast
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Composer of the Month
    • Guy Noble’s Soapbox
    • All Features
  • Music
    • Playlists
    • On The Record
    • All Music
  • Opera
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Subscribe
  • Subscribe
  • Events
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Subscribe
  • Events
  • Competitions
  • Advertise
  • Donate
  • Limelight Arts Travel
  • Sign Up
  • Log In

  • Magazine
    • Latest Issue
    • All Issues
    • Log in support
  • News
  • Reviews
    • Live Reviews
    • Film Reviews
    • Recorded Reviews
    • Book Reviews
    • All Reviews
  • Features
    • Decoding Cultural Leadership podcast
    • World Premiere
    • Cutting Edge
    • Rising Star
    • Composer of the Month
    • Guy Noble’s Soapbox
    • All Features
  • Music
    • Playlists
    • On The Record
    • All Music
  • Opera
  • Theatre
  • Dance
  • Events
    • View calendar
    • List Your Event
  • About Us
    • Advertise
    • Support Us
    • Licensing
    • Contributors
  • Subscribe
Orchestral
Live Review

Review: Electric Fields + MSO (Melbourne Symphony Orchestra)

A genuinely electrifying return to Hamer Hall for Zaachariaha Fielding, Michael Ross and the MSO.

July 10, 2023
Vocal & Choral
Live Review

Review: Meridians (Festival of Voices)

Spellbinding performances from Sjaella and The Australian Voices crown an evening of vocal artistry of the highest calibre.

July 10, 2023
Theatre
Live Review

Review: Natasha, Pierre & the Great Comet of 1812 (Darlinghurst Theatre Company)

Despite the energy of the cast and the inventive staging, this sung-through musical doesn’t entirely hit the heart.

July 10, 2023
Vocal & Choral
Live Review

Review: Transcendence (Festival of Voices)

Germany's Sjaella delivered a memorable Australian debut in a ravishing program that made the most of its cathedral setting.

July 10, 2023
Chamber
Live Review

Review: Grand Finals (Melbourne International Chamber Music Competition)

Germany's Trio Orelon and Melbourne's Affinity Quartet top a terrific week of music making, reports Peter Tregear from MICMC 2023.

July 10, 2023
Classical Music, Orchestral
Live Review

Review: Embrace (Adelaide Symphony Orchestra)

The premiere of Anne Cawrse’s wonderful marimba concerto complements the marvellously colourful music of Dvořák and Kodály.

July 9, 2023
Dance
Live Review

Review: Duck Pond (QPAC / Circa)

The Ugly Duckling and Swan Lake collide in this modern circus blending of fairytale and reality.

July 7, 2023
Classical Music
Live Review

Review: The Sydney 2023 Opening Gala

A stunning start to the Sydney International Piano Competition, 17 days of pianistic heaven on a stick.

July 7, 2023
Orchestral, Vocal & Choral
Live Review

Review: One Song – The Music of Archie Roach (Melbourne Symphony Orchestra)

Made with care and skill, this star-packed tribute to Archie Roach offers a joyous celebration of his incredible life and ongoing influence.

July 6, 2023
Opera
Live Review

Review: Idomeneo (Victorian Opera/Opera Australia)

Lindy Hume’s new production of this early Mozart opera offers much to delight both eye and ear.

July 5, 2023
Vocal & Choral
Live Review

Review: Petite messe solennelle (Festival of Voices)

A Festival of Voices highlight reaffirms Rossini’s vivid musical imagination and humour in a work that is neither little or solemn.

July 5, 2023
Theatre
Live Review

Review: Dumb Kids (Legit Theatre Company/KXT)

A looming prom night puts a ticking clock under Jacob Parker's Dumb Kids, an energetic, thoughtful study of youthful anxiety and diversity.

July 3, 2023
Classical Music
Live Review

Review: Haydn’s Cello Concerto (WASO)

Chinese-Australian cellist Li-Wei Qin is as suave and fluent a cellist as one could wish for in music such as Haydn’s Cello Concerto No. 1.

July 2, 2023

Posts pagination

Previous 1 … 79 80 81 82 83 … 343 Next

Suite 606, Level 6
84 Pitt Street
Sydney NSW 2000

Contact Limelight

Quick Links

  • Subscribe
  • Back Issues
  • Advertising
  • Licensing
  • Help Centre
  • Editorial Policy
  • Privacy Policy
  • Contact

Arts news delivered to your inbox

Our free Weekly Newsletter delivers the latest arts news, reviews and features to your inbox each Saturday.

Sign up

© 2025 Limelight Arts Media Pty Ltd

Search