The April 2024 issue of Limelight is now available online, with hard copies on their way to those with a print subscription. Click below to go straight to the issue, or continue on to find out what’s inside.
Elgar’s Enigma Variations proved an instant hit, but what of its mystery?
by Clive Paget
Leigh Sales and Annabel Crabb grill the Australian Chamber Orchestra.
by Harriet Cunningham
Disability representation is improving on stage, but there’s more to be done.
by Steve Dow
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Also in this issue ...
- On Stage: the buzz around live performance
- Newsworthy: a round-up of our recent news reports
- Comings and Goings: the latest arts appointments and departures
- Audra McDonald: interview by Jo Litson
- On the Record: column by Clive Paget
- Cutting Edge: White Bay Sonics by Elizabeth Jigalin and Oliver John Cameron
- The first grand opera in Arabic: by Jo Litson
- Mefistofele: opera on film review by Clive Paget
- The Life and Music of Gérard Grisey: Delirium and Form: book review by Will Yeoman
- Perfect Days: film review by Jason Blake
- On Air & Online: radio and streaming concert highlights
- Guy Noble’s Soapbox: Consummate Communicators
- Playing Up: the glass harp and the cimbalom with Peter Neville
- Sacred Cow: Let’s eliminate the term “maestro” by Greg Eldridge
- Five Questions: Opera Queensland CEO Patrick Nolan
- My Music: founding Bell Shakespeare Artistic Director John Bell
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