Robert Quinney may be a familiar name if you follow The Sixteen Orchestra, since he’s their resident organist. This volume (the fourth so far) of Quinney’s Bach recordings for Coro includes both well-known and more obscure Bach works. The big hits found here are the Prelude and Fugue in E Minor, BWV548 (sometimes called “The Wedge” due to the shape of the fugue subject), and the Concerto in D Minor, BWV 596.

Quinney’s performance of BWV548 is excellent. This is a colossal work lasting nearly 15 minutes and is considered one of Bach’s more difficult organ works, and yet Quinney dances through the freewheeling da capo fugue easily and smoothly. Coro’s engineers are experienced in recording complex choral works, and...