Review: The Third Space (Topology & Gaba Musik)
Brisbane art music specialists Topology take a back seat in a show that feels like a spin across a radio dial.
Paul Ballam-Cross is a writer and classical guitarist. He holds a Bachelor of Music in Performance and a Doctor of Philosophy, majoring in Musicology. He loves collecting records and will happily spend hours researching everything from the Baroque to noise rock.
Brisbane art music specialists Topology take a back seat in a show that feels like a spin across a radio dial.
Strange and beautiful ear-expanding sounds for strings from Liza Lim.
Spanish pianist goes for Baroque in a colourful all-Scarlatti recital.
Bohème again – but this staging slays with stunning performances and design.
Hymns, barricades and cockatoo cries fill this viola-meets-synth recital.
Seraphim Trio sparks up with vivid, underperformed chamber works.
Let the actors act, let the orchestras orch – QSO meets John Bell on an uneven playing field.
All-Russian recital celebrates 50 years of the ACO.
Seven’s the magic number in Ensemble Q’s surprising chamber recital.
A punchy Prokofiev outshone by James Ehnes’ stunning Barber concerto.
Parlando’s intensely Russian debut presents music of daring and defiance.
Opera Queensland has a winner here, beautifully performed and superbly timed for comedy.
Southern Cross Soloists' patchwork of Strauss waltzes, Beethoven and a piece reflecting on the LA fires doesn't quite hang together.