This is one of the most absorbing, polished concerts I have heard for some time. It is very special.

First of all, the program makes such good sense. The rollicking “Lone Ranger’” theme from Rossini’s Overture to his final opera William Tell (1829) is also quoted several times in the first movement of Shostakovich’s 15th and final symphony (1971).

Saint-Saëns’ Fifth and final Piano Concerto, composed in Luxor, feels like an unfolding series of exotic scenes from the composer’s travels, while the symphony is a virtual tour through the life – and death – of Shostakovich. Both in their different ways utilise a fluid episodic structure.

German conductor Kevin John Edusei encourages tenderness in the quiet sections of Rossini’s overture, contrasting that with great energy and excitement in the ‘Thunderstorm’ and final galop. He also brings out all the colour in Saint-Saëns’ “Egyptian” Piano Concerto, with ideal pacing and balance. Pianist Javier Perianes, a frequent and welcome visitor to Sydney, projects the busy solo part with ease and grace.

Sydney Symphony Orchestra and Javier Perianes: Saint-Saëns & Shotakovich. Photo © Ken Leanfore