Review: Reissues: An old favourite and two forgotten masters
Colin Davis at his peak, and just who were Ataúlfo Argenta and Enrique Jordá?
Phillip Scott is a long-time reviewer for Limelight and US music journal Fanfare. He has written four novels and the scores of several children’s shows for Monkey Baa Theatre Company. He is best known for his work as performer, writer and Musical Director for The Wharf Revue.
Colin Davis at his peak, and just who were Ataúlfo Argenta and Enrique Jordá?
Setting a new standard in Martinů’s exciting symphonies.
Late Sutherland comes with qualifications but Rogé is a winner all the way.
An impressively enigmatic recital from a very individual pianist.
The pianists, mostly British, performed these unfamiliar, challenging works with extraordinary discipline and flair.
Get stuck into George Szell and Artur Rodziński care of Australian Eloquence.
Two handsome box sets unearth many unexpected gems.
Fine Vine, from the chamber rather than the cellar.
A superb Beethoven, with a fascinating 21st-century reflection.
Unreleased recordings, mostly in concert, from a reticent piano genius.
Doráti's Haydn is a sonic miracle, while Dohnányi is top tier, whatever he does.
Brace yourself for a colourful Finnish voyage of discovery.
British Overtures Volume 3 is off to 11 good starts.