In record time, new Artistic Director Brett Sheehy has put together a program consolidating the festival’s long-held international reputation.

As he puts the finishing touches on the 2025 Adelaide Festival program, Brett Sheehy shares his eclectic taste in music and reveals how he made his own harpsichord.

Decades of funding cuts have created a chasm between the priorities of arts company boards and artists, argues Heather L. Robinson. We'll all pay the price.

Like all of Dalton's work, Love Stories drips with sentimentality and specificity of place.

Simon Stone directs Kaija Saariaho’s last opera, Australian Dance Theatre celebrates 60 years, and Pina Bausch’s Tanztheater Wuppertal returns.

Annette Downs, Geelong Arts Centre, BlakDance, Legs on the Wall and Adelaide Festival among those recognised for excellence in performing arts.

A round-up of our recent news reports.

Ruth Mackenzie moves to SA government role; Brett Sheehy returns to steady the ship while a new Artistic Director is recruited.

British Council Australia's Helen Salmon explains the aims of the UK /Australia Season and discusses how it continues to bear fruit.

A round-up of our recent news reports.

Calling South Australian dancers aged 12 and over: Stephanie Lake is creating a work for 1,000 performers to open the 2025 Adelaide Festival.

Christos Tsiolkas explains why he felt compelled to put his fear aside to co-write the libretto for Watershed: The Death of Dr Duncan.