Highlights this month include Sir Simon Rattle on Janáček’s Vixen, Paul Dean on his new “Symphony” for the Australian World Orchestra, Alan Cumming on Adelaide and ageing, and Amanda Harris on representation and cultural appropriation.
A new "Symphony" by Paul Dean will form the centrepiece of a three-city tour.
In this week's column, Angus McPherson checks out concerts by violinist Lisa Batiashvili in Berlin, the Australian World Orchestra and Zubin Mehta in Melbourne, and takes Concert Roulette for a spin.
This week's highlights include Sir Simon Rattle conducting the Australian World Orchestra and Simone Young conducting the Sydney Symphony Orchestra.
Reporting from Paris, the Australian World Orchestra’s Alexander Briger discusses his new daily routine, his thoughts about the industry’s future, and how music lovers might pass this difficult time.
A crack squad from the Australian World Orchestra delivers a thoroughly enjoyable evening of chamber music.
Love, torture and death are all vividly painted in Janáček’s rhapsody for orchestra Taras Bulba. Australian World Orchestra Artistic Director and Janáček specialist Alexander Briger tells us about the Czech composer’s Russian obsession and why his retelling of Gogol’s bloody tale is one of his greatest masterpieces.
Ermonela Jaho talks about Anna Bolena, we learn the true story behind Come From Away, and Nico Muhly discusses his three Australian commissions.
The Australian conductor tells us about growing up in a musical clan, founding the Australian World Orchestra, and reducing the work load to better enjoy performances and time with his young family.
Inside the issue: Ute Lemper, Requiems to die for, Rossini's Il Viaggio a Reims, ZOFO's new Pictures at an Exhibition, the Bolshoi Ballet and more.
Featuring Ute Lemper, requiems, Rossini's Il Viaggio a Reims, ZOFO's new Pictures at an Exhibition, the Bolshoi Ballet and the AWO's Alexander Briger.
The celebrated fashion designer, and arts patron, grew up in Italy listening to the garbage men singing arias. But it wasn’t until she moved to Australia that a life-long love for opera was kindled.
The Australian violist, who returns home to perform with the Australian World Orchestra this year, talks about her instrument, inspirations and starting a music series in an underground fortress-turned-dance club.
