Adena Jacobs to direct Titus Andronicus for Bell Shakespeare
It will be the first time Jacobs has worked for the company, and the first time that Bell has staged Titus.
It will be the first time Jacobs has worked for the company, and the first time that Bell has staged Titus.
He takes on the title role of Molière’s The Miser for Bell Shakespeare after departing the company in 2015.
Peter Evans’ stylish but faceless production has a saving grace in two of its principals.
An intelligent, lucid production that gets the balance between comedy, cruelty and pathos just right.
Kenneth Ransom stars in this national touring production by James Evans. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Eco-terrorists, a woman unable to find a place to rent and a female Misanthrope: some of the characters in a “wild ride”. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In a gender flip, Danielle Cormack will star in a new version of Molière’s The Misanthrope written by Justin Fleming. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Director Anne-Louise Sarks has reshaped Shakespeare’s dark comedy, The Merchant of Venice, for today’s audience. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Currently playing Richard III in Melbourne, the Australian actor's new play about the Russian mystic is showing in Sydney.
Kate Mulvany juggles charming wit and cunning ruthlessness in a visceral performance as the “bunch-back'd” king.
Actor and playwright Kate Mulvany will play the bloodthirsty manipulator in Peter Evans’ intriguing new production. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Samoan-born Ray Chong Nee explains how he can relate to Shakespeare’s Othello. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Peter Evans delivers a middle-rank production of the Bard's green-eyed tragedy.