Peter Evans delivers a middle-rank production of the Bard's green-eyed tragedy.

Will’s female roles were originally written for men. So what does his writing for women tell us about the man? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Ahead of the federal election, member companies of the NSW Theatre Network will campaign for arts funding reforms.

★★★½☆ A thrill-ride production of the Bard’s best known tragedy, but lacking emotional depth. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Bell’s new broom on his period approach, why theatre still matters, and why kids need Shakespeare, not arts cuts. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Across 15 productions Riverside Theatres celebrates classics, award-winners and brand new work next season.

A study of psychological pathology, this Hamlet chooses the personal over the political.

The Bard’s last play is John Bell’s last show for the company – but he leaves us wanting more. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

★★★★★ Young and Bell create a brilliant synthesis between music and narrative. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Alan John’s tempestuous score looks more East than West. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Despite reporting huge profits in its 2014 Annual Report, Senator Brandis awards $150k additional funds. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Melbourne's annual awards ceremony for the performing arts names 2014's highest achievers.