Kodie Bedford’s raucously funny debut play gives us a big-hearted story that sings true.

Find out what's on stage and streaming online in November from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

As Sydney venues begin to open their doors, Steve Dow investigates the various COVID safety protocols in place.

Find out what's on stage – and streaming online – in October from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

Catch up on what's been in the Limelight with the top arts stories to recently make headlines.

While live performance is returning, travel restrictions due to the coronavirus pandemic mean virtually no international artists will tour here. Will we seize the chance to create a greater space for Indigenous, female and ethnically diverse voices to speak to us about Australia today?

Anita Hegh does a brilliant job of conveying Virginia Woolf's supple mind in Belvoir's first post-COVID, socially distanced production.

The company returns to the stage, adhering to strict COVID-Safe guidelines, with Anita Hegh in A Room of One’s Own.

Currently based in LA, the irrepressible performer tells us about the concert, the special challenge of performing in online events like this, and how her "apoca-puppy" is helping her cope with COVID-19 isolation.

This week Jo Litson recommends the Belvoir online concert, Lin-Manuel Miranda's 14-minute musical 21 Chump Street, Gillian Anderson in A Streetcar Named Desire, and Black Swan's Summer of the Seventeenth Doll.

This adaptation of Peter Goldsworthy’s novella is big-hearted but not fully realised in its look at love and death.

With the year drawing to a close, we look back over the musicals that wowed our critics in 2019.