An insistence on the big effect comes at the expense of effective theatre.

Zahra Newman commands in this keen dissection of grief.

Anchored by Kate Mulvany's terrific performance, this is a show that speaks directly to our troubled, complex times.

Shelagh Delaney's debut play remains just as vivid and perceptive as ever.

A complex love letter to Sydney, Alana Valentine’s new play tracks the lives of three generations of working class women.

This adaptation of Peter Carey’s novel is an uneven, sometimes laborious tragi-comic exploration of an adman’s existential crisis.

This adaptation of Erdman’s The Suicide fails to plumb the depths of its characters’ despair.

Michelle Law’s incisive debut play will have you in stitches then tears.

Noni Hazlehurst delivers a brilliant performance in this heartbreaking story of loneliness and isolation.

The Company is returning the Downstairs Theatre to indie artists, among other investments in the future of Australian theatre.

Lally Katz’s sprawling epic is a wild ride with plenty of heart.

Eamon Flack's updated Ibsen takes a timely look at our own lingering ghosts.