Review: Every Brilliant Thing (Belvoir St Theatre)
Kate Mulvany is brilliant in this raw but heartfelt, life-affirming show.
Kate Mulvany is brilliant in this raw but heartfelt, life-affirming show.
Alice Chance talks about synesthesia, Eurovision, the musical Fangirls, and her new string quartet for the Bowral Autumn Music Festival.
A rich portrait of a girls’ indoor soccer team that captures all the awkwardness, pain and joy of soon to be shed adolescence.
An exciting, ambitious new Australian play, in six languages, that unites the personal and political in powerful, moving fashion.
Kendall Feaver, whose debut work The Almighty Sometimes received international accolades and critical acclaim, has been awarded a $15,300 commission for a new play.
An insistence on the big effect comes at the expense of effective theatre.
Zahra Newman commands in this keen dissection of grief.
Anchored by Kate Mulvany's terrific performance, this is a show that speaks directly to our troubled, complex times.
Shelagh Delaney's debut play remains just as vivid and perceptive as ever.
A complex love letter to Sydney, Alana Valentine’s new play tracks the lives of three generations of working class women.
This adaptation of Peter Carey’s novel is an uneven, sometimes laborious tragi-comic exploration of an adman’s existential crisis.
This adaptation of Erdman’s The Suicide fails to plumb the depths of its characters’ despair.
Michelle Law’s incisive debut play will have you in stitches then tears.