Review: Götterdämmerung (Melbourne Opera)
The big finish to Wagner's monumental Ring cycle is musically and dramatically strong, engaging and a feather in Melbourne Opera's cap.
The big finish to Wagner's monumental Ring cycle is musically and dramatically strong, engaging and a feather in Melbourne Opera's cap.
The problem child third opera in Wagner’s Ring tetralogy, Siegfried is dominated by male voices but women save the day.
An excellent cast and orchestra showcased Wagner’s rich score in this one-off concert of the third opera in his Ring Cycle.
Melbourne’s opera year begins with an impressive second instalment of Wagner’s Ring Cycle.
Director Suzanne Chaundy says her approach to Die Walküre is to tell the story as clearly as possible, exploring the themes without adding tonnes of obvious contemporary relevance.
Mozart’s glorious music wins the day in Opera Queensland's overly busy, contemporary interpretation of The Marriage of Figaro.
Canberra's new National Opera makes an impressive debut with a handsome production and some mouthwatering vocal artistry.
The new Canberra company unveils its inaugural season tomorrow. In an exclusive story, we reveal the two productions it will present next year.
In this new production, directed by Joseph Mitchell and conducted by its composer Richard Mills, the opera has finally found its place and worth.
The new production of the Australian opera will see State Opera South Australia return to a newly renovated Her Majesty’s Theatre.
A modest yet mostly satisfying production of Beethoven’s only opera.
As the English conductor prepares to conduct Act III of Meistersinger for SOSA, he shares his love of Wagner's music.