Review: Murphy (The Australian Ballet)
A very entertaining, richly deserved tribute to one of our national treasures.
A very entertaining, richly deserved tribute to one of our national treasures.
The organisation’s CEO for nearly 20 years, Capps will step down at the end of 2018, while Artistic Director Carl Vine will leave at the end of 2019.
Australian compositions may not immediately spring to mind when you consider the great 20th-century symphonies but, argues Rhoderick McNeill, there is a significant body of work worth celebrating.
Elena Kats-Chernin likes Michel Legrand and Michael Kieran Harvey likes Living Colour. Could speaking about pop remove barriers?
Bold, energetic performances of works old and new.
A world-class Tristan and a handful of classical music’s biggest beasts are joined by a raft of top soloists and premieres. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Avi Avital, Ray Chen, Joyce Yang and András Schiff are all on the menu in next year’s season.
Ahead of his Musica Viva Festival, the Artistic Director talks about the allure of intimate performer-audience relationships.
Musica Viva's AD and the Sydney Symphony Orchestra’s Director of Learning share their views on the furore.
Carl Vine's Hallucinations prove a hypnotic new addition to the trombone rep.
From the edge of dreams to the dread of the Doppelgänger, the composer conjures five fantasies for his trombone protagonist.
Musica Viva’s AD counters criticisms of factual inaccuracy from the ABC while continuing to focus on the bigger picture. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Musica Viva’s Artistic Director says current cutbacks betray broadcaster’s Charter and will cripple classical music industry. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in