Nexas Quartet: Taking it by the horns
With two world premieres in the pipeline – including one by Carl Vine – Nexas Quartet's Michael Duke sees the limited classical sax repertoire as an opportunity.
With two world premieres in the pipeline – including one by Carl Vine – Nexas Quartet's Michael Duke sees the limited classical sax repertoire as an opportunity.
A stellar reputation confirmed in this hugely enjoyable recital, one full of sensitivity and fireworks.
Guitar diva Karin Schaupp and four old friends bring us some old favourites and a stunning new Carl Vine work.
Karin Schaupp was born to play the guitar. She explains why the instrument always brings her comfort, and her plan to affirm its chamber music credentials.
Cameron Lam continues his instrument-focused series in this month’s Aussie Art Music playlist, with a spotlight on the piano.
A round-up of our recent news reports.
William Barton wins two awards from three nominations, Joseph Tawadros wins for the third year in a row, while Carl Vine and the Australian Chamber Orchestra also emerge victorious.
Featuring some of Australia’s finest pianists in a visually immersive performance space, this four-day festival is piano heaven.
From the power of choirs to the power of young people, the Adelaide Festival’s new Artistic Director Ruth Mackenzie shares her thoughts on next year’s program, and the future.
Announcing a new postgraduate program for 2023, Words, Text, Voices, Music, the Sydney Conservatorium of Music will halt its successful Composing Women program for the foreseeable future.
The UNSW ensemble offers a season lit up by Bach, Ravel, Westlake and Edwards, with guest performers that loom large in NSW and internationally.
Returning giants, like Garrick Ohlsson, rub shoulders with fresh young talent and artists like Cédric Tiberghien and Jean-Guihen Queyras.
Co-directors Chris Howlett and Howard Penny imbue Victoria's old gold town with the vigour of chamber works both beloved and rediscovered.