Review: CPE Bach: Universe of Harmony (Australian Haydn Ensemble)
Led by guest director and harpsichordist Chad Kelly, this celebration of the music of CPE Bach was a fine way to round out the Australian Haydn Ensemble’s 10th anniversary season.
Led by guest director and harpsichordist Chad Kelly, this celebration of the music of CPE Bach was a fine way to round out the Australian Haydn Ensemble’s 10th anniversary season.
The Sydney venue’s 2023 season launches its Australian-first immersive sound system with a lineup featuring Peaches, Deborah Cheetham, Paul Grabowsky, Emma Donovan and Krautrock legend Michael Rother.
The 91 recipients of the latest, and probably final, round of funding include City Recital Hall, Darwin Festival and State Opera South Australia for an interstate tour.
The Ukrainian-born pianist talks about returning to live performance and his love of the Romantics ahead of his upcoming Sydney recital.
A night of high emotion as COVID-hit trio makes its concert return.
Old mates Teddy Tahu Rhodes and Guy Noble tell us about their upcoming recital at City Recital Hall and why live performance should be considered an essential service.
David Greco and Erin Helyard's imaginative program of baroque rarities makes for an ideal return to the concert hall.
As Sydney venues begin to open their doors, Steve Dow investigates the various COVID safety protocols in place.
Sam Allchurch, AD of Sydney Chamber Choir, discusses staging the Messiah with chamber forces similar to those that Handel had at his disposal.
The moving concert at City Recital Hall, one of many organised around the country to raise funds for those affected by the fires, brought together 200 musicians from across Sydney’s classical music scene.
Alongside artists from every sector, the classical music community is uniting to stage fundraisers and offer other forms of relief to those affected by Australia’s catastrophic bushfires.
From flash mob choir to HIP Bach and genre-blending new music acts, the venue cracks opens the musical bubbly.
The CEO of Sydney’s City Recital Hall recalls the joy of proving her piano teacher wrong, working as an usher at Melbourne’s Princess Theatre, and dressing up to sit in the gods as an early operagoer.