Before Limelight returns to print, we reveal some of the stories that will feature in our refreshed, redesigned magazine, and what to look out for online.

The Media, Entertainment & Arts Alliance has accused the company of “acting unconscionably”, but Opera Australia claims that there are inaccuracies in the union's public statement.

The concerts feature 100 artists and star performers Sonya Yoncheva, Juan Diego Flórez, Renaud Capuçon and Rolando Villazón, who discusses how COVID-19 has affected him personally and why the Rolex initiative is so worthwhile.

Ahead of the release of her performance for Brandenburg One, the cellist talks about Bach, psychology and how a horse-riding accident forced her to make a difficult decision about her career in music.

The 29-year-old cellist plans to tour a program of Australian music for cello across the country – travelling by train.

John Davis and Genevieve Lacey reflect on the various incarnations of Australian art music's big night out.

We speak to Artistic Director Claire Edwardes about a quarter-century of new music, and celebrating a milestone birthday under unusual conditions.

Kathy Selby and friends turn a cancelled tour to their, and our, advantage.

The orchestra will be back in Adelaide Festival Centre’s Festival Theatre in September, as long-serving concertmaster Natsuko Yoshimoto bids the ASO farewell.

Michael Cassel, Benjamin Law, Trudy Dalgleish, Eddie Perfect, Simon Phillips and Ursula Yovich are among 11 industry leaders participating in the new arts mentorship program.

The ACO will perform a week-long season of socially distanced concerts at the Sydney venue in September, while the orchestra has reduced its administrative staff by eight positions due to the impact of COVID-19.

The Slovakian tenor discusses returning to the stage post-COVID, why singing Mozart is like servicing your car, his commitment to Slavic music, and his love for his dog Mia.