Musicians and singers, who were rehearsing OA’s Otello, are now in self-isolation after a construction worker at Sydney Opera House tested positive for COVID-19.

Guy Noble owns up to a bad case of PCSD–Post-COVID Stress Disorder – manifested in unusual bouts of negativity, foreboding and absent-mindedness.

Sydney Theatre Company suffered a $17.8 million slump in its operating revenue for 2020, but ended up with a $4 million net deficit thanks to grants and philanthropy.

Didgeridoo virtuoso William Barton discusses his world premiere for Queensland Symphony Orchestra and his performances at Illuminate Adelaide and the Australian Festival of Chamber Music.

As Sydney Chamber Choir premieres his new song cycle, Joe Twist discusses his musical inspirations, and working between Hollywood and Australia on animations to the concert hall.

A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.

The Tasmanian String Quartet emerged because of the impact of COVID-19 on music in Tasmania, and is proving to be an impressive chamber ensemble.

The Sydney and Melbourne Symphony Orchestras have both posted healthy surpluses for 2020 despite the considerable challenges faced due to COVID-19 restrictions.

A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.

Britain welcomes back art lovers, but the roadmap to normality looks increasingly uncertain.

Steve Dow looks at what the 2021-22 Federal Budget has in store for the arts industry after the horror year of the COVID-19 pandemic.

In a recent speech the Arts Minister noted the value of the arts sector to the Australian identity, economy and people, but failed to acknowledge the steady decline in available arts funding relative to population growth over the last decade, writes Leya Reid.