From the wild ride of Anna Clyne's Stride to a bristling Grosse Fuge, the ACO reminds us of what we've been missing with the concert halls closed.

The entirely WA program takes the river as its theme and includes a range of new work, with a strong Noongar component.

The ACO’s hybrid live and digital offerings include world premieres by Thomas Adès and Holly Harrison, along with collaborations with Belvoir and a brand new cinematic work, River.

Australian-based and international soloists feature in a series that includes the return of Circa, with each concert also going digital.

From a park bench in Sydney’s Green Park to Gunaikurnai country in the Victorian Alps, from Singapore to outer space, Griffin’s new season crosses worlds.

New AD Alan Cumming presents a taster of his full line-up (to be announced next March), with his own new cabaret show closing the festival.

This farce, set over Christmas lunch, is written with an unusual twist, but the humour largely fails to land.

Deborah Cheetham has composed a new carol for ABC Classic, which Australians are invited to record together. Russell Torrance talks to Limelight about the project and how he can't hear the music without crying.

OA is announcing its 2021 program in stages. This first season includes Ernani, Bluebeard's Castle, The Merry Widow and Tosca. Lyndon Terracini also addresses the company restructure and redundancies.

Audiences returned to the Sydney Opera House on Sunday for a celebration of jazz icon Don Burrows. The Drama Theatre reopens this week with STC’s Rules for Living.

The restrained but heartfelt emotion of Fauré’s Requiem cut through the downpour outside with reassuring harmony and warmth.

Ensemble Offspring's performance for the SOH digital program, in front of a live audience, is a joyous, mesmerising occasion.