State Opera South Australia’s Artistic Director Dane Lam tells us why audiences should expect a thrilling joyride when The Magic Flute arrives in Adelaide.

Celebrating 250 issues of Limelight, your go-to magazine for big ideas, bold music and the best live performance nationwide.

Celebrating 250 issues of Limelight, your go-to magazine for big ideas, bold music and the best live performance nationwide.

Dane Lam forges international collaborations with a multiverse Magic Flute and a brand new Roméo et Juliette.

Director Laura Hansford and star Emma Pearson talk to Limelight about making a Lucia di Lammermoor for the 21st century while honouring its history.

Played for laughs, this modern production for modern times bubbles like a bottle of Prosecco.

The number of Australians with their sights set on an international conducting career hasn’t changed, but their success rate is down. Why?

There's a tendency to handle Mozart with kid gloves, says State Opera South Australia's Dane Lam, "But he could be a very dirty man!"

This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.

A new study shows Australian opera has a legacy of gender inequality. So what’s next? We talk to Opera Australia's Jo Davies and Lindy Hume.

A round-up of our recent news reports.

Chinese-Australian conductor Dane Lam has been appointed as the new Artistic Director. Championing Australian artists is central to his vision for the company.